2000 Copyright Infringement Ownership 
SpicyIP
FEBRUARY 3, 2025
Prabha Sridevan, Judge, MHC (2000-2010) and Chairperson, IPAB (2011-2013) was recently interviewed by SpicyIP Doctoral Fellow Malobika Sen as part of her doctoral research. The Court noted that Kirloskar Proprietary Ltd, as the registered proprietor, had superior ownership rights compared to the plaintiffs status as a registered user.
IP and Legal Filings
JANUARY 23, 2023
Due to the recurrent copyright difficulties, which have a significant impact on an individual’s business interest, it is imperative to preserve the ownership rights of digital works. One such area where copyright violations are common is the internet. iii] NFTs are limited to having a single owner.
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CopyrightsWorld
FEBRUARY 15, 2021
Copyright infringement and how to stop it is a question in the minds of most of us these days. The DMCA’s principal was adopted by the European Union in the Electronic Commerce Directive 2000. Along with Google, most social media have their own services for copyright infringement and takedown requests.
The IPKat
MAY 12, 2023
When one hears the claims of copyright infringement, confidential information and employment claims one can readily assume that this is an employer/ex-employee dispute. Thus, in Cantor Fitzgerald International v Tradition (UK) Ltd [ 2000] RPC 95, at p.193,
IP and Legal Filings
MARCH 31, 2023
Introduction In order to determine copyright infringement , the ‘substantial similarity test’ has routinely been employed by the US Courts. In 2000, the plaintiff had penned down a screenplay involving pirates and their adventures. Copying’ is quintessential in determining infringement. Walt Disney Co.
Kluwer Copyright Blog
MAY 30, 2024
In the EU, Article 4(2) of the InfoSoc Directive specifically addresses exhaustion, stating that the distribution right of the copyright holder is exhausted within the EU after the first sale or other transfer of ownership of a copy of a work with the rightholder’s consent.
The IPKat
JULY 18, 2021
We can predict from C-682/18 and C-683/18 that, from an EU perspective, it is likely that YouTube already transcends Article 17, by implementing technological measures that can be expected from a 'diligent operator in the specific circumstances', at least they would argue, to effectively copyright infringements on that platform.
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