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Preface: I wanted to learn more about the concept (and applications) of “derivativeworks” and adaptations under copyright law, and I was searching for a useful example that might also be interesting for readers of Velocity of Content to read about. Beginning in 1955, adaptations of the stage play for television begin.
performances of “The Unofficial Bridgerton Musical”) or other derivativeworks that might compete with Netflix’s own planned live events,” including the multi-city “ Bridgerton Experience.” For now, suffice it to say that Barlow & Bear haven’t exactly dedicated their musical to the publicdomain.
Material that is in the publicdomain. Think of human modifications to AI as a quasi-derivativework—the copyright in a derivativework only extends to the material contributed by the author of that work , as opposed to the underlying material. Previously registered material.
Legal Background: Copyright and DerivativeWorks Copyright law protects original works of authorship, including “pictorial, graphic, and sculptural works,” 17 U.S.C. For obvious reasons, the copyright in a photograph does not include the right to publicly perform the copyrighted work.
In this post, we offer an overview of the project to date, stratified across CREATe’s core research themes : Creative Industries , the PublicDomain , and Competition and Markets. This provokes the question of how we can transplant evidence gleaned from one industry to another (in Barr’s synthesis, to television). PublicDomain.
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