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However, Newton’s report comes as the Wall Street Journal is also examining Facebook’s efforts to block plagiarized and pirated content. According to the Wall Street Journal, though several researchers at Facebook proposed ways to decrease the reach of such content, those proposals were “deprioritized” by Mark Zuckerberg.
He holds a PhD in applied mathematics from Brown university, he co-authored the first book on Spend Analysis, and has published in numerous journals, conferences, and technical periodicals. Historically, publishers and authors reserved rights with a copyrightnotice or the statement all rights reserved.
I don’t find this argument convincing given the ability today to license many content types at scale for TDM, including images, music and yes, journal articles (See “Full disclosure” above), but it is an argument often offered by infringers. Open licenses can create a very practical challenge for users who go beyond the terms.
In order to train their technologies, should AI companies be allowed to use works under copyright protection without consent? The lawsuits brought by the owners of such works, including artworks in the case of image-generators and journalism in the NYT case, claim that this should not be allowed. Fair Use Precedent?
law, a copyright owner does not need to include a copyrightnotice on published works, nor does the owner need to post notices barring the use of the work. You should presume works are protected by copyright unless proven otherwise. There's a difference between authorized end-user activity and unauthorized copying.
Is a copyrightnotice sufficient? Today, many journal publishers allow authors to post preprints of author manuscripts on servers, notwithstanding the fact that copyright often is subsequently transferred to publishers. What level of granularity is required under DSM Article 4? What about the words “all rights reserved?”
If the work was published with proper copyrightnotice, it received a federal statutory copyright. If the work was published without proper copyrightnotice, the work entered the public domain. But releasing full sound recordings of interviews for sale is far less transformative than standard journalism.
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