Copyright Law IP Licensing Webinar 
IPilogue
APRIL 5, 2022
Samantha Melhado is an IP Intensive student and a 3L JD candidate at Osgoode Hall Law School. With a SOCAN license, businesses comply with copyright laws and may play songs that are part of SOCAN’s repertoire while supporting the creators of that music.
The IPKat
OCTOBER 3, 2022
October 26, 2022 | Bird & Bird | "Webinar: The DSM Directive one year on (part II) Article 15: A power shift back to the publishers?" | online Article 15 of Directive 2019/790 builds on and follows a number of national initiatives aimed at remedying declining revenues in the press sector.
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The IPKat
JUNE 26, 2022
While enjoying (or not) this heatwave, check the latest IP events and opportunities to be cool for the summer! Experts from different countries and regions will be sharing and exchanging insights on various areas of IP. closing dinner), IP Lunches (incl. Diversity and Inclusion Today, Would you like some IP with your Wine?,
The IPKat
FEBRUARY 14, 2022
Although spring is one month and a couple of days away from us, IP events and opportunities are already blooming and you can find a bundle of the best here. Institute of European Media Law of the University of Luxembourg - Piracy on all waves? - Registration is open and can be made here. The deadline for application is 11 March 2022.
The IPKat
MARCH 28, 2022
While temperatures are still struggling to raise above 15°C, check the latest IP events to warm up! European Blockchain Center and IT University of Copenhagen, Blockchain and IP Law – A Match Made in Heaven or Hell?, This Kat is happy that spring is here, but also shocked that March is nearly over.
IP Tech Blog
SEPTEMBER 25, 2023
The USCO is doing this with an eye toward possible changes or clarifications on what is copyrightable in this realm and to fulfill its functions of advising Congress and serving as a public resource on copyright law matters. See Questions 6-14 of Notice. We will track further developments in this space.
SpicyIP
JULY 29, 2021
This post only deals with copyrightability of fonts from artistic work perspective and does not explore the copyrightability of fonts as code or literary works. Debunking the ‘no copyright for fonts’ Argument. This is perhaps why fonts cannot be copyrighted in the US.
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