Biswajit Sarkar Copyright Blog

JUNE 23, 2022

Since the lockdown limits went into effect, the number of webinars has increased by orders of magnitude. Although privacy invasion has been the main topic of discussion in this virtual context, there is another issue at hand: copyright infringement. Ownership of copyright in the lectures presented by the speakers.

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Velocity of Content

MAY 1, 2024

Legal & Copyright Issues With that technical background, the discussion moved to legal and copyright issues. Gervais noted that copyright law and the rights of copyright holders have adapted to new technologies as they have been developed and commercialized over the centuries. with that in the U.S.

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The IPKat

OCTOBER 3, 2022

October 26, 2022 | Bird & Bird | "Webinar: The DSM Directive one year on (part II) Article 15: A power shift back to the publishers?" | online Article 15 of Directive 2019/790 builds on and follows a number of national initiatives aimed at remedying declining revenues in the press sector.

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The IPKat

JULY 15, 2023

If you ever considered how legally film characters use phones with a bitten apple logo or drink from a perfectly frozen Coca-Cola can without infringing IP, the webinar organised by EUIPO is an answer to your questions. International Copyright Issues and Artificial Intelligence is a webinar organized by the U.S.

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IP Tech Blog

SEPTEMBER 25, 2023

The USCO is doing this with an eye toward possible changes or clarifications on what is copyrightable in this realm and to fulfill its functions of advising Congress and serving as a public resource on copyright law matters. See Questions 6-14 of Notice.

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LexBlog IP

SEPTEMBER 25, 2023

The USCO is doing this with an eye toward possible changes or clarifications on what is copyrightable in this realm and to fulfill its functions of advising Congress and serving as a public resource on copyright law matters. See Questions 6-14 of Notice.

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SpicyIP

JULY 29, 2021

This post only deals with copyrightability of fonts from artistic work perspective and does not explore the copyrightability of fonts as code or literary works. Debunking the ‘no copyright for fonts’ Argument. This is perhaps why fonts cannot be copyrighted in the US. Conclusion.

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