Copyright Law Derivative Work Ownership Publishing 
Kluwer Copyright Blog
JUNE 16, 2021
Gutierrez held that Arty had contractually given up ownership of the rights over remix composition, and therefore had no grounds to sue. The Remixer Declaration provides that Arty does not have any ownership or financial interest in the “underlying musical composition” embodied in the Remix Master. Background and decision.
Copyright Lately
AUGUST 2, 2022
And unlike the vast majority of songwriters and performing artists who have relinquished ownership rights to musical publishers and record labels, Barlow & Bear decided to release “The Unofficial Bridgerton Musical” themselves, which means keeping more of the earnings. Probably not, but it sure beats getting sued.
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Velocity of Content
MARCH 16, 2023
This article was originally published in The Scholarly Kitchen. As a person involved in copyright on a daily basis, I’ve observed a number of events and requests for comment over the last few years on the issue of whether artificial intelligence (AI) systems can be “authors” in the copyright sense (or inventors of patents).
Copyright Lately
JANUARY 31, 2023
Interpolations (Get Money) Interpolations are big business, especially for many of the venture-capital backed companies looking to recoup some of the hundreds of millions of dollars they’ve spent acquiring music publishing rights from the likes of Paul Simon, Stevie Nicks, and Bob Dylan. The Copyright Office is referring to 17 U.S.C. §
Technology & Marketing Law Blog
OCTOBER 19, 2021
It’s not possible to “trespass” an intangible asset; any legal protection for the asset comes from contract law (but the plaintiffs gave a license) or IP law, such as copyright law, which the plaintiffs aren’t invoking. Google responds that whatever it means, it’s preempted by copyright law.
Kluwer Copyright Blog
AUGUST 7, 2023
Goldsmith et al sheds light on different perspectives of copyright law in common law and civil law countries. This brief post dives into this duality, as exampled by American and Brazilian law. Firstly, both Brazilian and American legislation stipulate that the creator of a work holds copyright over it.
Kluwer Copyright Blog
JUNE 7, 2023
is non-alienable and, therefore, is still very beneficial to authors, despite its evident shortcomings (such as the exclusion of “works for hire” and derivative works, as well as the requirement of notice from the author to effect the termination rights). By contrast, the 35-year termination right in the U.S
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