JD Supra Law
DECEMBER 14, 2023
In response to the rapidly growing ubiquity of influencer-driven marketing, the Federal Trade Commission (FTC) has published numerous guidelines for influencers and advertisers alike.
IPilogue
JANUARY 5, 2023
On November 29th, The Competition and Markets Authority (CMA) released its final report of its market study into music and music streaming. Moreover, competition between music streaming services and the digitization of the market improved consumer outcomes greatly, though creators still had concerns about their earnings from streaming.
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The IPKat
DECEMBER 13, 2023
After the first DSM Directive-related referral from Belgium on the provisions concerning contracts of authors and performers [IPKat here ] , it is now the turn of Article 15 (the related right for press publishers) as implemented into Italian law. All this would serve to ‘foster the availability of reliable information’.
TorrentFreak
APRIL 5, 2022
Major Academic Publishers End Sales in Russia. In line with other Western entities choosing to boycott Russia, 15 major companies with a virtual monopoly on scientific publishing decided that enough is enough. of the Russian market) are bought by a central source, the Russian Foundation for Basic Research (RFBR).
Technology & Marketing Law Blog
APRIL 16, 2022
The court confirms that to ensure enforceability, consumers should (1) check the box and (2) be advised that checking the box will indicate assent to contract terms. Fluent is a marketing company that generates leads. These basic principles “apply with equal force to contracts formed online.”
Technology & Marketing Law Blog
JUNE 4, 2024
Thus, Lady Freethinker sued YouTube for breach of contract and related claims. (A The underlying legal principles are not complicated: content rules in TOSes are negative behavioral restrictions on authors’ conduct, not marketing or contractual promises to readers that such content will never appear on the site.
Kluwer Copyright Blog
JUNE 21, 2022
In my project, You Can Play (see also working paper here ), I explore how contract, rather than copyright, is the key enabler of user creativity in this industry. Commercial’ use is instead more narrowly construed by game publishers to mean use for the benefit of a company (e.g.,
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