JD Supra Law
FEBRUARY 28, 2025
The use of artificial intelligence (AI) in the film and television industry in content creation raises many legal and business issues. One key issue is the ownership of the works generated using AI and the ability to register a copyright in such works.
LexBlog IP
NOVEMBER 4, 2022
The company is also known for producing a variety of television programs and publishing its own magazine. It provides television and radio services, film library licensing, content creation, aggregation and distribution, talent management, and digital media. The EV/EBITDA NTM ratio of Astro Malaysia Holdings Bhd.
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The IP Law Blog
AUGUST 17, 2023
The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible. Aereo, Inc. ,
Michael Geist
APRIL 20, 2023
When they make money from these activities, social media companies must be obliged to reinvest in our creators and into local content creation. Last year, they attracted hundreds of millions of viewers. Senator Gold and the government are wrong. Section 4.1(2)
LexBlog IP
FEBRUARY 11, 2024
You see, when I was growing up, computers took up entire rooms and content was published on paper – books, newspapers, magazines, and yes, sometimes even broadcast on television or radio. The Internet is exponentially growing; and along with it Internet-based digital content creation. Copying was tedious.
LexBlog IP
AUGUST 17, 2023
The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible.
Kluwer Copyright Blog
FEBRUARY 22, 2022
This provokes the question of how we can transplant evidence gleaned from one industry to another (in Barr’s synthesis, to television). Barr makes explicit a factor we had long suspected with the skew of evidence on the Portal: the music industry is disproportionately overrepresented in empirical copyright literature.
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