LexBlog IP

NOVEMBER 4, 2022

The company is also known for producing a variety of television programs and publishing its own magazine. It provides television and radio services, film library licensing, content creation, aggregation and distribution, talent management, and digital media. The EV/EBITDA NTM ratio of Astro Malaysia Holdings Bhd.

Television 52

Television Content Creation Marketing Marketing 52

The IP Law Blog

AUGUST 17, 2023

The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible. Aereo, Inc. ,

Social Media 98

Social Media Copyright Copying Copyright Infringement 98

Michael Geist

APRIL 20, 2023

When they make money from these activities, social media companies must be obliged to reinvest in our creators and into local content creation. The official explanation is an afterthought in Gold’s speech, who instead focuses on the loophole claims by citing two examples. Last year, they attracted hundreds of millions of viewers.

Government 116

Government Social Media Law Music 116

LexBlog IP

FEBRUARY 11, 2024

You see, when I was growing up, computers took up entire rooms and content was published on paper – books, newspapers, magazines, and yes, sometimes even broadcast on television or radio. The Internet is exponentially growing; and along with it Internet-based digital content creation. Copying was tedious.

Copyright 52

Copyright Due Diligence Content Creation Copyright Law 52

LexBlog IP

AUGUST 17, 2023

The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible.

Social Media 52

Social Media Copyright Copying Copyright Infringement 52

Kluwer Copyright Blog

FEBRUARY 22, 2022

This provokes the question of how we can transplant evidence gleaned from one industry to another (in Barr’s synthesis, to television). In the wake of this automation, Peukert and Windisch look more to the ‘after’ of platform liability, in a future of ContentID, algorithmic licensing, and blockchain technologies.

Copyright 52

Copyright Public Domain Marketing Marketing 52