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The Show Must Go On – AI Developments in Music

IPilogue

Last month, Google announced “ AudioLM: a Language Modeling Approach to Audio Generation ”, which proposes “a new framework for audio generation that learns to generate realistic speech and piano music by listening to audio only”. million Canadian Dollars.

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Instagram and Facebook Users Are Engaging in Copyright Infringement?!

IPilogue

If you have ever incorporated music into your Instagram or Facebook videos, you may have committed copyright infringement. The suit was filed in California Northern District Court by Swedish music label and publishing company, Epidemic Sound. But don’t worry, you won’t need to get a lawyer! On July 20 th , 2022, Meta Platforms Inc.

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A Lady Whistledown-Worthy Scandal!

IPilogue

However, one musical duo exceeded the fan-generated content standards. They later released a 15-song album based on the show’s characters and storylines, entitled “The Unofficial Bridgerton Musical.” This year, their album won a Grammy for “Best Musical Theatre Album?” Standing ovation for @abigailbarlow…”.

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TIME TO CUT THE MUSIC?: TWITCH’S UNFAIR SOLUTION TO AN INEVITABLE DIGITAL MILLENIUM COPYRIGHT ACT PROBLEM

JIPL Online

Given the disparity in negotiating power between a platform the size of Twitch and individual creators, Twitch is better situated to take on the burdens of negotiating a music licensing solution on behalf of all of the creators who drive traffic to their site. Background.

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TIME TO CUT THE MUSIC?: TWITCH’S UNFAIR SOLUTION TO AN INEVITABLE DIGITAL MILLENIUM COPYRIGHT ACT PROBLEM

JIPL Online

laws that stifle content creation efforts through unfair copyright enforcement mechanisms. The issue lies mostly in how the DMCA incentivizes online service providers to "expeditiously" handle licensing issues.

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OTT Platforms and Digital Piracy

Biswajit Sarkar Copyright Blog

The potential flow of advertisement traffic for this content makes them lucrative assets for any commercial establishment. The producers have broadened monetization prospects with separate licensing agreements with traditional broadcasters and OTT platforms. Most of the content on these platforms is subscription-based.

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Government Gets the Law Wrong as it Finally Makes the Case Why it is Rejecting the Bill C-11 User Content Regulation Fix

Michael Geist

When they make money from these activities, social media companies must be obliged to reinvest in our creators and into local content creation. In fact, he’s arguing that anytime user content contains music, it must be in the bill. It is not uploading these videos with music, its users are. Section 4.1(2)