Plagiarism Today
MARCH 30, 2022
Next up today, Hannah Brown at The Jerusalem Post reports that the chairperson of Screen IL, a company that streams Israeli content around the world, has teamed up with various Israeli content creation companies to target Visa and Mastercard for their alleged support of pirated sites.
Velocity of Content
JULY 25, 2024
CCC has licensed this report from Outsell, Inc., Why This Topic As AI continues to revolutionize corporate operations, a new collective licensing solution from CCC ensures that both content creators and users can thrive. with the right to distribute it for marketing and market education purposes.
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Velocity of Content
DECEMBER 1, 2021
On December 2 at noon CET, CCC’s Chris Kenneally will moderate, “ Moving RROs Beyond Text ”, the third of three 60 minutes symposia programmed under the overall theme, Copyright & Collective Licensing: New Demands in the Decade, as part of the IFRRO International Conference.
Olartemoure Blog
NOVEMBER 29, 2023
In the world of content creation, your originality is your superpower. Provides Stronger Defense: Registration helps defend your creations better in case of disputes. In the digital world, and working with visuals and sometimes with external brands, you navigate a potential minefield of IP risks.
IPilogue
AUGUST 26, 2022
Influencer culture and, by extension, content creation on social media, has become increasingly prevalent in recent years. In the past, content creators have had issues incorporating music into their posts due to copyright holder policies. Who is Epidemic Sound?
Velocity of Content
JANUARY 28, 2025
CCC has licensed this analysis from Outsell, Inc. CCC commissioned the research study from Outsell and had no input regarding the content of this piece. This increased sharing creates both opportunities for wider content usage and risks of copyright breaches if licensing and permissions are not managed effectively.
Biswajit Sarkar Copyright Blog
OCTOBER 9, 2023
The potential flow of advertisement traffic for this content makes them lucrative assets for any commercial establishment. The producers have broadened monetization prospects with separate licensing agreements with traditional broadcasters and OTT platforms. Most of the content on these platforms is subscription-based.
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