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This provokes the question of how we can transplant evidence gleaned from one industry to another (in Barr’s synthesis, to television). Barr makes explicit a factor we had long suspected with the skew of evidence on the Portal: the music industry is disproportionately overrepresented in empirical copyright literature.
Bridgerton is the Netflix television sensation that enraptured the United States in late 2020. A derivativework itself, Netflix’s Bridgerton is based on the book series by Julia Quinn , a Regency-era series set between 1813 and 1827. The difference in Netflix’s approach to fan works likely stems from the company’s history.
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