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Generative AI: the US class action against Google Bard (and other AI tools) for web scraping

Kluwer Copyright Blog

Such class actions can be considered part of the evolution of the regulatory landscape dedicated to Generative AI.

Fair Use 137
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Legal Issues with Using AI to Create Content – Written with Help from AI

LexBlog IP

One area where AI has already made significant inroads is in content creation. With the help of AI-powered writing assistants, businesses and individuals can generate high-quality content with minimal effort. As such, we will not have definitive answers on ownership and protection of AI-generated works for years to come.

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Social Media Giants and Copyright: Instagram’s Ninth Circuit Win Sets Precedent Against Photographers

The IP Law Blog

The concept of “embedding” content is not a new phenomenon. Ever since the massive explosion of content creation that gave rise to social media, content creators worldwide have utilized embedding to showcase and link users to content that otherwise would not have been as readily accessible.

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Court Says No Human Author, No Copyright (but Human Authorship of GenAI Outputs Remains Uncertain) (Guest Blog Post)

Technology & Marketing Law Blog

That’s because the court repeatedly says numerous times in different ways: no human creation = no copyright. That answers the question when human involvement in content creation is a binary switch–either on or off. The Copyright Act’s “Plain” Language.

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Copyright and Artificial Intelligence in Music Creation

IP and Legal Filings

While there isn’t a universally accepted definition of AI different scientists have offered their own interpretations. The current legal landscape struggles to address the complexities of AI-driven content creation, leaving ownership rights ambiguously defined and vulnerable.

Music 103
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The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

IP Intelligence

In a movie, this definition, in the absence of a contract to the contrary, would generally limit authorship to someone at the top of the screen credits, sometimes the producer, sometimes the director, possibly the star or the screenwriter – someone who has artistic control.” 2d 276 (S.D.N.Y.

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Comprehending Broadcasting Contracts and Intellectual Property Law at Crossroads

IIPRD

From DVDs to OTT, the entertainment domain has come a long way owing to rapid digitalization affecting creative authorship over their creations [1]. Recent court decisions have clarified the scope of copyright in film screenplays, personality rights, and underlying works concerning content creation and licensing in broadcasting.