TorrentFreak
NOVEMBER 30, 2022
Hollywood believes that these ‘cam’ copies cause significant damage to the cinema industry, an opinion shared by the UK’s Film Distributors’ Association. Sources confirm that the copies were traced back to two multi-screen cinemas, both of them in Liverpool, the location mentioned by PIPCU.
TorrentFreak
OCTOBER 11, 2022
Through strong branding it has managed to stay in the game, but whether today’s variant (of which there are several) is/are the same and/or operated by the original developer is a question for people with an abundance of spare time. TeaTV turned out to be a pretty strong brew, despite the suspension of its Twitter account.
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TorrentFreak
FEBRUARY 2, 2023
Facing an existential crisis and no support from the government, some elements in the cinema industry began screening unlicensed Western movies , for example. A current proposal envisages Russian cinemas legally screening foreign movies without rightsholders’ permission but with some kind of payment. They do not work.
TorrentFreak
FEBRUARY 23, 2023
Following the invasion of Ukraine a year ago, new video content produced by major Western companies mostly disappeared from Russian cinemas and online platforms. From February 28, 2023, availability of Western content on Russia’s legal streaming portals is set to nosedive.
TorrentFreak
JUNE 18, 2022
To that end, filmmakers, record labels, TV companies, and cinema chains need to hire more and more people to make that happen. The position of ‘Anti-Piracy Analyst’ is being offered by brand protection/anti-piracy company Corsearch. Like Disney, UMG prefers not to mention a salary for this position.
TorrentFreak
JANUARY 20, 2024
If Western brands do not want to fight piracy in a particular country, it means that they are actually legalizing piracy of their content,” Zlobin added. If the rightsholders fail to protect their own content, no one else will do it for them, he said. “If However, Western content isn’t the only content in town. “[P]irates
TorrentFreak
OCTOBER 12, 2022
Under extreme pressure from copyright holders and numerous public campaigns, brand leaders and ad agencies agreed that reputable cash shouldn’t find its way into the pockets of pirate site operators. Rightsholders believed that without access to mainstream advertising partners, pirate sites would eventually wither and die.
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