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Copyright for AI-generated works: a task for the internal market?

Kluwer Copyright Blog

In many computational creativity projects in the fields of art , journalism and music , the heavy reliance on AI stretches the causation bond between the human author and the final creative output to breaking point. Consequently, it is not clear whether copyright protection would still subsist in many of these newly emerged works.

Marketing 108
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Contradictions of Computer-Generated Works’ Protection

Kluwer Copyright Blog

This thesis is supported by the curious failure of the United Kingdom’s Copyrights, Designs and Patents Act of 1988 ( CDPA 1988 ) to protect “computer-generated works.” Namely, in works which are computer-generated, the author “shall be taken to be the person by whom the arrangements necessary for the creation of the work.”

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The Modern Copyright Dilemma: Digital Content Ownership and Access

IP and Legal Filings

The domain of copyright deals with the literary, musical, dramatic, and artistic works, and cinematograph films. Before the digital era, copyright protected tangible art or works, allowing authors to easily regulate usage, copies, and earnings. Journal of Intellectual Property Rights , 393-394. Parasuraman And Ors.,

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Oh Dear, Piglet, They Kept My Shirt!

IPilogue

Nikita Munjal is an IP Innovation Clinic Fellow, a Student Editor with the Intellectual Property Journal, and a third-year JD/MBA Candidate at Osgoode Hall Law School. . While many were observing the new year, intellectual property scholars and the artistic community were celebrating Public Domain Day. public domain.

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Canada’s First AI-Authored Copyright Registration Paints a Picture of Uncertainty

IPilogue

Nikita Munjal is an IP Innovation Clinic Fellow, a Student Editor with the Intellectual Property Journal, and a third-year JD/MBA Candidate at Osgoode Hall Law School. Some of the most notable arguments are included in a joint submission on the public consultation by 14 Canadian IP scholars. Photo by Sukanya Sarkar (ManagingIP.com).