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SpicyIP Weekly Review (September 13-19)

SpicyIP

Call for Papers: NALSAR’s Indian Journal of Intellectual Property Law (IJIPL) Vol. We announced that NALSAR Hyderabad’s Indian Journal of Indian Intellectual Property Law (IJIPL) is inviting papers for publication in Volume 12 of the journal. 12 [Submit by November 20].

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On repatriation: Questions of copyright ownership and management of repatriated cultural heritage materials

The IPKat

Artistic works?) See South Africa's Intellectual Property Laws Amendment Act. Oriakhogba also weighs in on the perennial issue of the classification of cultural heritage materials (are they expressions of folklore? Traditional cultural expressions? and the implications of any preferred classification.

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Artist Royalties: An exegesis of Resale rights in India

IIPRD

Since an artist is responsible for the very conception of his painting, drawing, sculpting or a literary work, he is entitled to monetary compensation upon the artwork’s sale. Berne convention for the protection of literary and artistic works, 1886 3. University of Illinois Law Review, January 1, 2019.

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The Future of Copyright. In memory of Luigi Carlo Ubertazzi (Report 1/2)

The IPKat

Ubertazzi was one of the leading intellectual property academics in Italy (as well as a great lawyer), founder and editor of the most important Italian copyright journal (AIDA) and editor and author of the most widely used Commentary on Italian intellectual property laws. Cr: Wellcome Collection).)

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The Role of Intellectual Property Rights in India’s Startup Ecosystem: A Pathway to Innovation and Growth.

IIPRD

Intellectual Property Rights occur as the dynamic instrument to discourse these tasks if the legal protection and development of a situation is beneficial to development and novelty. Sourcebook on Intellectual Property Law, 1997. Trademarks and Registered Trademarks, Control of Corp Diseases, 2012.

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The Modern Copyright Dilemma: Digital Content Ownership and Access

IP and Legal Filings

Introduction The Intellectual property laws are designed in such a way that not only reward the creator of his intellectual creation thereby incentivising other creators for further innovation, while balancing the rights of the creator with the right of the society to access information or knowledge. Parasuraman And Ors.,

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Copyright Ownership of Movies and Films in Canada: Who’s on First?

IPilogue

David Vaver is the Acting Director of IP Osgoode and a Professor of Intellectual Property Law at Osgoode Hall Law School. The following is a preview of a paper to be published in the Intellectual Property Journal. . 2 of the Copyright Act RSC 1985, c. The relevant part of s. 5 reads: .