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Indian courts, for the longest time, followed the doctrine of “sweat of brow”, upholding the belief that a work requires only duediligence and effort, rather than originality and creativity in order to be granted copyright protection. What is the Indian take on originality v. creativity? Copyright Act or Design Act?
With no hidden atrocities the labor intended to be associated with the innovation should be given their duediligence and the public can to emanate from the same. Is Copyright registration mandated in India? The registration is not treated as a prerequisite to acquiring the copyright of any literary work.
The Court held that plaintiff has made out a clear prima facie case; that the plaintiff has the necklace registered in Italy and since India is a member of Berne Convention for the Protection of Literary and ArtisticWorks, under Section 40 of the Copyrights Act, 1957 the registration in Italy can prove copyright infringement in India.
Under the Copyright Act 1968 (Cth), copyright of a literary, dramatic, musical or artisticwork includes the exclusive right to reproduce the work in a material form, publish the work and communicate the work to the public. Multiple pieces of copyright material may exist in a single digital work.
Perhaps the right involved was actually a trademark registration, and the journalist had got it wrong? A press report indicated the registration had been made in 1953 by Arthur “Gil” Seabrook, a local broadcaster, as a civic promotion. Many of the marks had lapsed due to non-renewal, and none was in the name of the City of Vernon.
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