Artistic Work Contracts Information Ownership 
The IPKat
APRIL 25, 2024
Here’s what they write: Generative AI, originality, and the potential role of contract in protecting unoriginal works by Adrian Aronsson-Storrier and Oliver Fairhurst Artificial Kat Over the past two years the IPKat has hosted debate on the question of whether the outputs of generative AI tools are protected under copyright law.
IP and Legal Filings
MARCH 9, 2022
The protection of the trade secrets (the specific and confidential information about the production of the company and give the business a competitive advantage in the industry) can be legalized under major sub pars including: Patents – the protection comes with time strain.
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Kluwer Copyright Blog
AUGUST 18, 2024
Image via flickr Introduction This two-part blog post is aiming to explain what Rights Retention is and how it works in practice. In the first part, I’ll explain the forces at play in the publishing industry, why copyright ownership in academia is so important and how the publishing process works.
Plagiarism Today
AUGUST 2, 2022
For almost as long as the blockchain has existed, supporters and advocates of it have claimed it would revolutionize the way we consume art, handle copyright disputes and earn revenue from artistic works. To put it mildly, those promises have not come to fruition. It’s a simple idea, but one that hasn’t taken off yet.
IP and Legal Filings
NOVEMBER 11, 2022
Once a work is created, in most cases, the creator will automatically enjoy copyright protection in all 164 member countries of the Berne Convention for the Protection of Literary and Artistic Works including all European Union countries and China. Copyright arises on the date the original work is created. Conclusion.
Intepat
MAY 17, 2024
The notices underscored key aspects of Section 2(d)(iii) and 2(d)(vi) of the Copyright Act of 1957, which stipulate that an ‘author’ should be an artist or an individual involved in facilitating the creation of artistic work. Contracts should clearly state who owns the rights to the prompts.
IPilogue
MARCH 1, 2022
” K: “What I would like to see is institutions and companies actively reaching out to people to clarify consent before reposting artists’ work[s] in their feed , especially seeing as corporate representatives may not even know if the artist wants to be associated with their brand or company.
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