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Generative AI and creativity: A quick analysis of US and Canadian copyright registrations for artistic works

Kluwer Copyright Blog

In addition to raising questions about ownership of outputs , infringement in training , and the future of copyright as a policy tool to encourage creativity , economists are in the early stages of analysing the effects of these technologies on human creativity. For simplicity, I will label this ‘commercial significant artistic creativity’.

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Canada’s First AI-Authored Copyright Registration Paints a Picture of Uncertainty

IPilogue

In September 2021, the IPilogue reported that India’s copyright office recognized the RAGHAV Painting App (“RAGHAV”), an artificial intelligence (“AI”) tool, as an author of the copyright-protected artistic work, Suryast. requiring some human participation for AI-generated works to receive authorship); and.

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A.I. Paintings: Registrable Copyright? Lessons from Ankit Sahni

IPilogue

as an artistic work in Canada on December 1 st , 2021, for “ Suryast ” with CIPO (Registration no. His creativity and skill were also present in the final work of Suryast and like he said no line could be drawn between his contribution and that of the AI, so the same qualified for copyright protection.

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Can We Reexamine the Role of Blockchain in Copyright Now?

Plagiarism Today

For almost as long as the blockchain has existed, supporters and advocates of it have claimed it would revolutionize the way we consume art, handle copyright disputes and earn revenue from artistic works. To put it mildly, those promises have not come to fruition. Copyright Office. But this isn’t to say that it can’t be useful.

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Protecting Product and Packaging Designs in China Part II – Copyright

LexBlog IP

If the author is a foreign natural person or legal entity, the product design or 3D packaging may be protected as a foreign work of applied art under the Berne Convention for the Protection of Literary and Artistic Works (“Berne Convention”) for 25 years in China. Beijing Zhongrong Hengsheng Wood Industry Co.

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Copyrighting the Ogopogo Monster: The © story behind the news story

The IPKat

Perhaps the right involved was actually a trademark registration, and the journalist had got it wrong? A press report indicated the registration had been made in 1953 by Arthur “Gil” Seabrook, a local broadcaster, as a civic promotion. Unfortunately, while CIPO’s database records registration, it has no copy of what was registered.

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Copyright Ownership of Movies and Films in Canada: Who’s on First?

IPilogue

Something has recently gone awry with the law of copyright ownership in a movie or other film — a “cinematographic work”, as s. Part I of the Act deals with the ownership of copyright in works. Section 13(1) provides that the author of a work is its first copyright owner. 2 of the Copyright Act RSC 1985, c.