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Keller, Recognizing the DerivativeWorksRight as a MoralRight: A Case Comparison and Proposal , 63 Case W. 405 (2019); Terrica Carrington, Grumpy Cat or Copy Cat? xiv] See Gordon Whitson, How a Brand Name Becomes Generic , The New York Times (June 24, 2019), [link]. [xv] vii] Deidrè A.
Like most copyright systems, French copyright law does not leave much room for the freedom of authors of transformative graphic works (also called “derivativeworks”). Three interesting cases on derivativeworks, two involving Jeff Koons and one Tintin, have recently put French copyright law in the international spotlight (e.g.
One of the key features was recognition of the rights of authors of original literary, dramatic, artistic and musical work, used in derivativeworks. Nonetheless, the courts overlooked the essence of the amendment, leading to such rights still not being recognized by the Supreme Court.
If so, infringement may occur unless an exception applies or the LLM did not have access to the original work. 1 Another key right is the creation of derivativeworks, which includes adaptations or translations. If so, infringement may occur unless an exception applies or the LLM did not have access to the original work.
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