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Generative AI, Copyright and the AI Act

Kluwer Copyright Blog

In particular, the training stage of the AI tools requires the scrapping and extraction of relevant information from underlying datasets, which often contain copyright protected works. Does such an output infringe on a copyrighted work of a third party, especially those works “ingested” during the training stage of the AI system?

Copyright 136
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Bill Cornish Memorial Lecture – Author as Revenue Sharer

Kluwer Copyright Blog

Ginsburg listed several techniques for improving the position of authors and noted that Directive 2019/790 (hereinafter the “DSM Directive” or the “Directive”) employs most of these. government’s non-interventionist approach appears to be working and so, in Prof. On this prompt, Prof. Conclusion In conclusion, Prof.

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WHAT, IN THE NAME OF GOD, …?: Intellectual Property Rights In Holy Names, Sacred Words, & Other Aspects of Creation

LexBlog IP

Juliet Dee, Sweet baby Jesus, the band who must not be named, and friends U can’t trust: Disparaging, immoral and scandalous trademarks in the United States and the European Union, 53 First Amendment Studies 91, 93 (2019)]. Dee (2019) at 119. ” (at page 9 and 13). registered trademark the various names of God that Dr. .”

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NFT Update:  5 Recent Lawsuits Show a Glimpse into Future Legal Battles Involving NFTs 

LexBlog IP

3] An announcement on SuperFarm’s website noted that the sale would occur on the Ethereum blockchain, and that the auction was significant because it would “set a precedent for how artistically created value and its ownership can be proven, transferred, and monetized seamlessly through a public blockchain.” [4]. Miramax LLC v.

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Copyright, Free Speech Clash in Dispute Over Cameron Boyce’s Final Film

Copyright Lately

In 2019, actor Cameron Boyce , star of Disney franchises Jesse and Descendants , died tragically following a sudden epileptic seizure. At the time of his death, the 20-year-old Boyce was working on what would prove to be his final film, the independent coming-of-age drama Runt.

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A Preliminary Analysis of Trump’s Copyright Lawsuit Over Interview Recordings (Trump v. Simon & Schuster) (Guest Blog Post)

Technology & Marketing Law Blog

The lawsuit involves sound recordings of 19 interviews that then-President Trump voluntarily gave to Woodward between December 2019 and August 2020, plus one interview from 2016 (when Trump was still a candidate). Third, is Trump’s claim of ownership barred by 17 U.S.C. 105 , as a “work of the United States Government”?

Copyright 120
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The Good Get: Interviews, The Predicates Of Copyright Ownership, & Divorcing Subjects From Owning Copyright Content

LexBlog IP

That then plays off the rest of the title’s allusions to separating “subjects” from the “predicates” of copyright ownership, themselves words connoting the foundational elements of both “ any complete sentence ” and at times a court’s jurisdiction over infringement matters. ’” Id.