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TIME TO CUT THE MUSIC?: TWITCH’S UNFAIR SOLUTION TO AN INEVITABLE DIGITAL MILLENIUM COPYRIGHT ACT PROBLEM

JIPL Online

v] Instead, these companies often opt to shift the associated risk of content creation and navigating licensing on to the creators themselves and wait until the last minute to implement more sensible, less destructive solutions that may cost them a bit more than doing nothing. 512 (2018). [xv] 512(c)(3) (2018).

Music 76
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The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

IP Intelligence

2018) (citing Design Data Corp. That is, “superintending the arrangements” of content creation, being the effective cause and having decision-making authority on the final output are the hallmarks of control, not absolute certainty as to what the output would yield. Rearden LLC v. Walt Disney Co. , 3d 963, 968 (N.D.

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The Other ‘Maybe’ Authors: Copyright Ownership for AI Trainers

LexBlog IP

’ In a movie, this definition, in the absence of a contract to the contrary, would generally limit authorship to someone at the top of the screen credits, sometimes the producer, sometimes the director, possibly the star or the screenwriter – someone who has artistic control.” 2018) (citing Design Data Corp.