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Certain sections like 2(qq) and 38, define a “performer” and specify whether a person’s personality falls under the definition of a performer, under which a performer’s right may be asserted, hence prohibiting the unapproved marketing of a performer’s work. Varsha Productions, 2015 SCC OnLine Mad 158. [7]
Keller, Recognizing the DerivativeWorksRight as a MoralRight: A Case Comparison and Proposal , 63 Case W. 8, 2015), [link]. Zywicki & Thomas J. Miceli, Law and Economics: Private and Public 23 (West Academic Publishing 2018). [v] vii] Deidrè A. 511, 523 (2012). viii] See, e.g., Lee J. Minc Law (Sept.
Like most copyright systems, French copyright law does not leave much room for the freedom of authors of transformative graphic works (also called “derivativeworks”). Three interesting cases on derivativeworks, two involving Jeff Koons and one Tintin, have recently put French copyright law in the international spotlight (e.g.
If so, infringement may occur unless an exception applies or the LLM did not have access to the original work. 1 Another key right is the creation of derivativeworks, which includes adaptations or translations. If so, infringement may occur unless an exception applies or the LLM did not have access to the original work.
Translated into copyright language: a critical edition is an example of derivativework. In 2015, the Romanian Academy/National Foundation for Science and Art, published a book that allegedly incorporated Slușanschi’s critical edition. Despite (or rather because of ?) Indeed, in Institutul G. When the CJEU decides Institutul G.
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