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From DVDs to OTT, the entertainment domain has come a long way owing to rapid digitalization affecting creative authorship over their creations [1]. Recent court decisions have clarified the scope of copyright in film screenplays, personality rights, and underlying works concerning contentcreation and licensing in broadcasting.
New empirical research is needed to support policy making and legal reforms that embed considerations of the public domain into rights management and new contentcreation, rather than focusing solely or primarily on copyright. Despite being only one piece of the puzzle, copyright has dominated the debate in this area.
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