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Book review: Performing Copyright: Law, Theatre and Authorship

The IPKat

this Kat was delighted to review Performing Copyright: Law, Theatre and Authorship by Dr Luke McDonagh (Assistant Professor of Law at LSE Law School). This is the first academic monograph that solely considers the relationship between UK copyright law and historical and contemporary theatre. And Who Owns It?

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Is Generative AI Fair Use of Copyright Works? NYT v. OpenAI

Kluwer Copyright Blog

As such, it was permissible under United States copyright law. Since there was no appreciable harm to the copyright owners, according to the Court – quite the contrary –it was clearly acceptable under the terms of United States copyright law. copyright law.

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Born to be authors: the copyright of the child

Kluwer Copyright Blog

The notion of stewardship (H R Howe, ‘Copyright limitations and the stewardship model of property’ (2011) 2 IPQ 183-214) is instrumental to expanding the scope of the analysis on vulnerable authors (e.g. A copyright lawyer will be familiar with legal issues on subject matter, originality, authorship and ownership.

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The Interplay of Personality Rights and Freedom of Expression- the Jackie Shroff’s Case’

IP and Legal Filings

Using someone else’s identity without their consent violates both their personality rights as well as their right to privacy. Network Solutions Private Limited and Ors Case (2011) , the Hon’ble Delhi High Court noted that an individual’s online reputation or popularity is a reflection of their real life.

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New Vatican AI Guidelines for the development and use of AI models: from AI training to Vatican’s authorship and ownership of AI-generated outputs (at least within the Vatican City State)

The IPKat

In turn, where the Vatican Act regulates a certain aspect, Vatican law shall apply; vice versa, where the Vatican Act is silent, Italian law shall apply instead. The Vatican Act does not however detail restricted acts under copyright and other rights, including related and other rights (e.g.,

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