Remove 2008 Remove Copying Remove Derivative Work
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When is a derivative work original and thus protectable by copyright? Classicist’s critical edition makes its way to Luxembourg in fresh Romanian CJEU referral

The IPKat

Translated into copyright language: a critical edition is an example of derivative work. A second (revised) edition followed in 2008. Derivative works under EU law So far, the CJEU has tackled derivative works from the perspective of infringement, not copyright subsistence. Indeed, in Institutul G.

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3 Count: Swimsuit Edition

Plagiarism Today

First off today, Kevin Shalvey at Business Insider reports that “Sports Illustrated” swimsuit model Genevieve Morton has filed a lawsuit against Twitter alleging that the site was slow to remove infringing material and that an AI photo editing tool created unlawful derivative works.

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Warhol v. Goldsmith, purpose, and character

43(B)log

Professor Reese’s Transformativeness and the Derivative Work Right , 31 Colum. & Arts 467 (2008), whose analysis I followed in Content, Purpose, or Both?

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First duel between NFTs and copyright before the Spanish courts: NFTs 1 – Authors 0

Kluwer Copyright Blog

Basically, because an NFT is an encoded digital metadata file of a copy of a work that can be copyright protected. That is, in an NFT there can be an underlying copy of a work of art –typically an image, photograph, piece of music, video or certain audiovisual content– that may be subject to copyright. And why is that?

Copyright 116
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[Guest post] Artificial Intelligence and (hopefully) the death of copyright

The IPKat

Modak (2008) 1 SCC 1 ). So, there is no literal and non-literal copying of a work. A work is always just a creative combination of elements such as words, sounds, shapes or colors. Therefore, this is not about the content of the work, only how it was expressed. Rural, 499 U.S. This is pure fiction.

Copyright 138
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YouTube Wins Partial Summary Judgment in Maria Schneider Copyright Lawsuit

TorrentFreak

In 2008, Schneider appointed her management company ArtistShare Music Publishing (AMP) as the “sole and exclusive Administrator” of her musical compositions under a Music Publishing Administration Agreement (AA). The big questions now center on the nature of that license and whether YouTube can rely on it to fend off liability.

Copyright 126
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IPSC Breakout Session #5 Platforms & Interfaces/IP Enforcement

43(B)log

The problem is that this system fell apart around 2008-2012 when smartphones came out. At the same time, the risk of copying essentially went away. So now, we have lots of protection for implementation where we don’t need it and no protection for interfaces where new entrants can easily be copied. That’s more problematic.

IP 52