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Therefore, for the purpose of this post, I will be using the word, ‘font’ to mean both fonts and typefaces. This post only deals with copyrightability of fonts from artisticwork perspective and does not explore the copyrightability of fonts as code or literary works. Debunking the ‘no copyright for fonts’ Argument.
The MITT’s work led to amendment of the Copyright Act and Performers Protection Act 11 of 1967 in 2002 , which reintroduced an imperfect and weak needletime royalty system into the South African copyright regime. Indeed, the CAB lives up to its core objectives as set out in its long title.
Copyright laws play a crucial role in protecting creative expressions such as literary works, artisticworks and musical works. This exclusive rights comprises of the right to copy, distribute, perform, license or adapt the work. Secondly, several have contended that DMCA jeopardizes fairuse.
A third reflection emerges: undoubtedly, Warhol’s work was created based on Goldsmith’s. However, it is important to recognize that all artisticworks are influenced by those that came before them. [1] 3] Regardless of the creative level of a work, copyright comes with limitations. 01, out/2002, p.
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