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Conundrum behind registrability of GUIs as industrial designs in India

LexBlog IP

There has been quite a bit of debate around the registrability of GUIs under industrial design law in India. While the Designs Act, 2002, recognised protection for GUIs, the Indian Patents Office has been reluctant to grant registration to GUIs. In the case of UST Global (Singapore) Pte.

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A Look Back at India’s Top IP Developments of 2021

SpicyIP

The suit concerned agreements dating back to 2001 between IPRS and ENIL regarding broadcasting music in certain cities. In this case, the Bombay High Court ruled that registration of copyright is not mandatory for obtaining relief in an infringement action. Durga Trading Corporation was clarified in this case. In Dhiraj Dewani v.

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Nuziveedu v. Plant Varieties Authority: Reaping the Fruits of Pioneer’s Seeds

SpicyIP

Recently, the Delhi High Court clarified that the distinctness, uniformity and stability (DUS) testing is a must before a plant variety registration application can be advertised by the Plant Varieties and Farmers’ Rights Authority. Sungro”), which were sent for DUS testing but also advertised before the testing results came in.

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SpicyIP Weekly Review (June 5- June 10)

SpicyIP

Calcutta High Court clarifies that a civil court does not have jurisdiction to determine the validity of registration granted under the Plant Varieties Act. an interim relief against Dabur’s Amla oil print advertisement. Case: Pan Seeds Pvt. Ramnagar Seeds Farm Pvt. Delhi High Court refuses Marico Ltd.

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Use of a 3D mark for a potato chip in an altered form: what is needed to avoid revocation for non use?

The IPKat

Background In 2001, McCain GmbH (the Intervener) successfully registered the following three-dimensional sign as an EUTM: Registration was obtained for goods in Class 29 (pre-cooked potato croquettes and products based on mashed potatoes frozen) of the Nice Classification.

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[Guest post] The ‘brat’ phenomenon: Exploring cultural influence and IP dynamics

The IPKat

slime green (now ‘brat green’) in various means of advertising throughout the promotional campaign. The colour was also used in the official album cover, creating a clear connection with the artist’s advertised work and the inauguration of the era it signalled.

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Time for the 12 O'Clock Boyz to go: court shuts down (c)/TM lawsuit against documentary & feature film about Baltimore bikers

43(B)log

From PR newswire, apparently a still from the 2001 film registered trademark For the 2001 Documentary, Monbo “organize[d] a group of highly skilled dirt-bike riders” to participate in a scripted film “that would highlight the exploits of an ostentatious group of dirt-bike riders in Baltimore called 12 O’Clock Boyz.”